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Fifteenth-Century Courtyard in Castiglione Olona Gemälde ID:: 92736
Siehe Galerie in Schweden
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Fifteenth-Century Courtyard in Castiglione Olona 1895(1895)
Medium oil on canvas
Dimensions Height: 145.5 cm (57.3 in). Width: 220.5 cm (86.8 in).
cjr 1895(1895)
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Medium_oil_on_canvas
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Dimensions_Height:_145.5_cm_(57.3_in)._Width:_220.5_cm_(86.8_in).
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cjr
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Church and Houses Gemälde ID:: 93067
Siehe Galerie in Schweden
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Church and Houses between 1925(1925) and 1932(1932)
Medium oil on paper
Dimensions Height: 29.5 cm (11.6 in). Width: 41 cm (16.1 in).
cjr between_1925(1925)_and_1932(1932)
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Medium_oil_on_paper
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Dimensions_Height:_29.5_cm_(11.6_in)._Width:_41_cm_(16.1_in).
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cjr
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Interior of Milan Cathedral Gemälde ID:: 93090
Siehe Galerie in Schweden
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Interior of Milan Cathedral 1888(1888)
Medium oil on canvas
Dimensions Height: 121 cm (47.6 in). Width: 70 cm (27.6 in).
cjr 1888(1888)
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Medium_oil_on_canvas
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Dimensions_Height:_121_cm_(47.6_in)._Width:_70_cm_(27.6_in).
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cjr
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Church of Santo Stefano in Borgogna in Milan Gemälde ID:: 93091
Siehe Galerie in Schweden
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Church of Santo Stefano in Borgogna in Milan 1896(1896)
Medium oil on canvas
Dimensions Height: 138 cm (54.3 in). Width: 96 cm (37.8 in).
cjr 1896(1896)
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Medium_oil_on_canvas
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Dimensions_Height:_138_cm_(54.3_in)._Width:_96_cm_(37.8_in).
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cjr
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1 | Vorheriger Künstler Nächster Künstler
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Arturo Ferrari
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(Milan, 1861 - 1932) was an Italian painter.
Initiated into artistic studies by his father Cesare, an associate of Luigi Scrosati, and the painter Mose Bianchi from Lodi, Arturo Ferrari completed his training at the Brera Academy under the guidance of Giuseppe Bertini from 1877 to 1884 while working in the studio of Gerolamo Induno at the same time. He made his debut at the Esposizione di Belle Arti di Brera in 1879 with a view of the interior of Milan Cathedral, thus inaugurating the repertoire of Milanese perspective views that was to be a constant feature of his vast production of oil paintings and watercolours. He soon became the guiding spirit of a poetic and sentimental evocation of "Old Milan" during the phase of transition to the 20th century, when the face of the city changed radically through wholesale rebuilding. A regular participant in all the major exhibitions until 1932, the year of his death, he was the recipient of numerous marks of official recognition and enjoyed considerable success with the public as well as the esteem of conservative critics.
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